A Kannada Feature Film

KAVERIYANA

ಕಾವೇರಿಯಾನ

She said no to 108 men. Then four children showed up and she had no choice.

Scroll
108
108

men came to meet her.

108 men left.

Kaveri is 44. She sells tea outside a college gate. She has spent her whole life building something small, precise, and entirely hers — one room, one thermos, zero dependants.

Then her sister's four orphaned children arrive at her door.

Nobody asked. Nobody warned her. She was the only family left.

The Story

She does not become a mother.
She becomes something harder to name.

Kaveri is 44. She sells tea from a stall outside a college gate in Bangalore. She rejected 108 arranged marriage proposals. Over the years she has built a life that is small, precise, and entirely hers - one room, one thermos, zero dependants. She likes it this way.

Then her sister dies. Four children - Abha, 22; Suman, 20; Guttu, 16; Soni, 8 - arrive at her door. There is no one else left. And just like that, the life she spent over a decade building has five people in it.

What follows is a film about five people learning to be a family. About bureaucrats, banks, and birthday parties. About a pressure cooker that settles every argument it enters. About an ostrich farm outside Bangalore. About a 1970s coffee house and a bill nobody wanted to pay. About a Metro line that arrives without asking permission.

"So what are we actually getting for this money?" — Guttu, 16, to a BBMP officer who has answered questions for thirty years and has never quite heard this one.

We're not telling you how it ends. Just that when it does — she laughs. And you will understand exactly why.

108
arranged marriage proposals.
She rejected every single one.
4
children. One room. Zero notice.
Guardianship, non-negotiable.
₹10L
tax bill. On a house she didn't
know was in debt. Due immediately.

True
Story.

Where It Begins

In 2017, Bengaluru woke up to an unbelievable story. An 85-year-old woman had allegedly outsmarted the Karnataka Industrial Areas Development Board and siphoned off more than ₹16 crore in compensation claims over the years — quietly, patiently, and almost invisibly. No gangsters. No political power. No high-profile mastermind. Just one old woman navigating a system so chaotic that nobody noticed until it was too late.

That story is where Kaveriyana begins. Kaveri is not that woman. But the impulse at the centre — a woman finding her own system in a world that had its own — is true.

Read the original story →
22
Abha

The eldest. Holds everything together with both hands. Has a scholarship to Switzerland and is not using it.

20
Suman

Sharp-eyed and sharper-tongued. Knows the value of 17 rupees and doesn't let anyone forget it.

16
Guttu

Lanky, curious, reading the newspaper phonetically. Has questions about tax policy that no adult has thought to ask.

8
Soni

She wants to see an ostrich. She has always wanted to see an ostrich. Nobody takes this seriously until they should.

Kaveri's one room house at dawn
I
Act One

The Life
She Built

Kaveri is 44. She wakes before anyone on her street, brews tea in a tiny one-room house, and walks to her thela outside a college gate — the same spot, the same thermos, the same unhurried rhythm she has kept for years. She rejected 108 arranged marriage proposals. Not out of bitterness, not out of fear. Out of preference. Her father threw her out for it once — so she left on her own terms, on her own night, with a borosil dabba of pickle and a decision she never looked back on. She is not lonely. She is precise. The solitude is not damage. It is design.

Then her sister Narmada and brother-in-law die in a car accident. Four children — Abha, 22; Suman, 20; Guttu, 16; Soni, 8 — arrive at Kaveri's door with their grief and their suitcases. There is no court order, no ceremony. A police inspector tells her she's the only family left. The children already think she's come to take them home. She says yes — not dramatically, not warmly — but in the quiet way of someone who has just lost one version of their life and is already calculating the next. Four lunch boxes. Four sets of socks.

The birthday cake explosion
II
Act Two

The House, The Debt,
The Scheme

Kaveri moves the children into the old family bungalow — her father's house, untouched for fifteen years, carrying a property tax debt of ten lakh rupees that nobody told her about. She cannot pay it. The BBMP is not interested in her circumstances. The Metro is coming, and the bungalow sits right in its path. So she does what any reasonable, desperate, slightly unhinged woman might do: she studies the system.

What she stumbles upon is a loophole so absurd, so deeply buried within the system, that it once allowed an 85-year-old woman to quietly outsmart the city for years before anyone even noticed. Around the same time, three men from Kaveri’s past unexpectedly drift back into her life — Kamlesh the banker, Eshwarappa the News Editor, and Babu from the Metro office. Old equations resurface. Favours linger in the air. And somewhere between desperation, humour, and survival, Kaveri begins to realise that systems are often held together not by rules, but by people looking the other way.

Namma Metro on MG Road
III
Act Three

The Reckoning
and the Flight

The scheme holds — until it doesn't. Babu, the railway officer who once came as a suitor and couldn't say a word, has returned as the Metro land acquisition officer. He knows the bungalow. He knows Kaveri. And quietly, he starts to know too much. The family's fragile new normal begins to feel like it has an expiry date.

Kaveri decides before the decision is made for her. One by one, she sends the children into the world she made possible. She watches them go. And for the first time in her life she has nowhere that she has to be. She laughs.

01 — Morning

The tea is ready
before anyone else is.

The day starts without permission. 44 years of building something small, precise, and entirely hers.

02 — The House

The old bungalow
holds its ground.

Her father's house. Then nobody's. Now everybody's. Fifteen years of unpaid tax. One Metro line with opinions about where it's going.

03 — Evening

Five steel plates.
Five people.
One silence.

This is the hour when the walls go gold and the arguments go quiet. Also when the pressure cooker makes its feelings known.

04 — The System

One angry.
One confused.
One just tired.

"So what are we actually getting for this money?" — Guttu, 16.
05 — The Ostrich Farm

She just wanted
to know
if they could fly.

06 — Night

Tungsten inside.
Cool blue outside.
Someone is always
still awake.

The children are asleep. Kaveri sits alone on the floor with her cash box, counting the day in small piles. She has done this a thousand times. She will do it a thousand more. She is not sad. She is just the last one awake — which, in this house, is the same as being in charge.

07 — 1970s Bangalore

He ordered
the mutter cutlet.

It was not the mutter cutlet. She was already leaving. He was still holding the bill. He is still holding the bill.

08 — The Family

Five people.
One rope.
One very unbothered ostrich.

Is it possible to live a small life
and still fly?

Why This Film · Why Now

We have forgotten
how to live.

Hustle culture. AI layoffs. Prices going up. A world optimising itself into exhaustion.Kaveriyana is a film about the antidote.

01

The world we are in

We stopped noticing the colour of the sky on the commute. Dinner became something you eat while looking at a screen. Rest became something you apologise for.

02

What Kaveri knows

She shows up. Every day. With bad jokes and good tea. No strategy deck. Just the specific courage of someone who has decided that today counts.

03

What the film believes

Laughter is not a break from grief. Sometimes it is the grief, finding the only shape it can take without breaking you.

04

What it offers

Two hours with a woman who looked at everything life handed her and chose, every single day, to find it at least a little bit funny.

In a world that rewards people for how much they produce, this is a film about a woman who mattered because of how she loved.

Cast & Crew

The people who carry this world.

S
Sruthi Hariharan
Lead · Attached

Sruthi Hariharan

as Kaveri

National Award recipient. Three Filmfare Awards South. Karnataka State Film Award. Her performance in Nathicharami is listed among Film Companion's 100 Greatest Performances of the Decade. Known for Lucia, Godhi Banna Sadharana Mykattu, and Humble Politician Nograj. Kaveri is the most complicated role she will have inhabited — sharp, funny, quietly devastating, and entirely unwilling to be anyone's symbol.

Pawan Kumar
Cameo · Attached

Pawan Kumar

as Kamlesh

Director of Lucky, one of the most singular Kannada films of its era. Plays the MBA who ate the mutton cutlet — and returns twenty years later as the bank manager who signs Kaveri's property loan. The MBA finally earns its keep.

Diganth
Cameo · Attached

Diganth

as Eshwarappa

The newspaper clerk with a pen behind his ear and a smile he has been saving for the right moment. He has liked Kaveri quietly, for a very long time.

Their First Film Score
Ambi and Bindu Subramaniam
Original Score & Songs
Ambi & Bindu Subramaniam

Two of India's most internationally acclaimed musicians — and this is their first film score. That is not a footnote. It is the headline. Ambi Subramaniam: Grammy-nominated violinist, multiple National Award winner. Bindu Subramaniam: vocalist, composer, TEDx speaker. Their score will blend Carnatic warmth with intimate contemporary instrumentation — music that sounds like the Bangalore you remember, not the one they're building. Their involvement in Kaveriyana is an event before the film even releases.

Trilok Trivikram
Songs & Dialogue
Trilok Trivikram

The dialogue in Kaveriyana is not translated Kannada. It is Kannada — the kind spoken in Bangalore's middle-class homes, where a single sentence holds a joke, an argument, a memory, and a quiet devastation all at once.

Roshan Antony
Director of Photography
Roshan Antony

Cinematographer. Colorist. Filmmaker. Amazon Prime web series, music videos, ad films, nature documentaries. Natural light, organic textures, the beauty of things not trying to be beautiful. ARRI Alexa Mini LF, Cooke lenses. The same sensibility as the film's visual reference: Alice Rohrwacher'sLe Meraviglie.

roshanantony.com →
Raunaq Nagalotimath
Screenplay & Direction
Raunaq Nagalotimath

Ten years shaping narrative for iD Fresh Foods, Arvind Fashions, Prestige Smart Kitchens, Origin Fresh, WOW Skin Science, Flipkart, Epson. Prague Film School, Screenwriting. A debut is not the absence of experience — it is the arrival of a specific voice that has been sharpening itself for years in other rooms.

raunaqnagalotimath.com →
Market Positioning

The audience has been waiting.
The market is ready.

Content-first, low-to-mid-budget South Indian films have delivered some of the most remarkable returns in recent Indian cinema. Not despite their scale — because of it.

← Swipe horizontally to view metrics →
FilmLanguageBudgetWW CollectionROIVerdict
Su From SoKannada₹4.5 Cr₹121+ Cr~1,951%Blockbuster
Tourist FamilyTamil₹7 Cr₹86–90 Cr~1,200%Blockbuster
KudumbasthanTamil₹10 Cr₹27 Cr~120%Hit
FalimyMalayalam₹3 Cr~₹20 Cr~566%Hit
777 CharlieKannada₹20 Cr₹105–115 Cr~475%Super Hit

Kannada cinema's biggest exports have proven this industry can travel. What they haven't done is shown the world what Bangalore looks like from the inside — the middle-class home, the college gate, the pressure cooker, the arranged marriage that didn't happen.

Kaveriyana has a stronger cast than most comparable films, a more distinctive visual identity, and a score that will be talked about before anyone buys a ticket.

Partnership Opportunities

In-Film Branding

Seamless, story-led integrations only. Each category limited to one partner. Revenue target: ₹40L – ₹80L.

L1
Background

Brand visible, not interacted with.

L2
Functional Usage

Characters actively use the product.

L3
Dialogue

Brand referenced in character dialogue.

L4
Narrative

Brand advances the story or enables a key moment.

L4 · Narrative
Banking / Financial Partner

A plot-driven education loan interaction. The scene where Kaveri meets Kamlesh at the bank is the film's turning point.

Highest Impact
L4 · Narrative
Rasam Powder / Spice Partner

Recurring across cooking and dining scenes. The rasam appears in arguments, silences, and the film's funniest moment.

Highest Recall
L4 · Narrative
Wedding Jewellery Partner

A key bridal preparation sequence. Close-up visuals, emotional interactions, deep cultural resonance.

High Visibility
L4 · Narrative
Café / Coffee Brand

The proposed café integration is embedded within a relationship-defining conversation, making the brand part of a memorable emotional moment.

High Visibility
L2–L3
Newspaper / Media House
L2–L3
Saree Retail Brand
L1–L2
Hospital / Healthcare
L1–L2
College / Education
Promotional & Ecosystem Partnerships

Brand and Marketing Partners

Strategic brand collaborations across audience engagement, campaign amplification, and distribution touchpoints.

Powered By Partner
Marketing Partner
Agency Partner
Digital Content Partner
Media Partner
Radio Partner
Broadcast Partner
Print Partner
Online Ticketing Partner
Beauty Partner
Make-up Partner
Skincare Partner
Matrimonial Partner
The Business

The numbers, simply.

Proposed Budget
₹3 Cr

A controlled, production-efficient budget. Every rupee has a purpose.

Distribution
Theatrical
+ OTT

Karnataka primary. Tamil Nadu, Kerala, metros. Premium OTT. Subtitled in English, Hindi, Tamil.

Revenue
Multi-
window

Theatrical · Satellite · Digital · Music · Dubbing · In-film branding.

Status
Ready.

Screenplay registered. Lead attached. Music confirmed. DP confirmed.

The comparable films returned between 4x and 19x their budgets.

Kaveriyana has a stronger cast, a more distinctive visual identity, and a score that will be talked about before anyone buys a ticket. We are looking for a production partner who understands that the best films aren't made for the market — they're made for the audience. And sometimes, those are the same thing.

Questions & Answers

Everything about Kaveriyana.

Who is the creative team behind Kaveriyana?

Kaveriyana is a Kannada feature film produced by Seema Sali under the banner of We Chitra Entertainment. Written and directed by Raunaq Nagalotimath, the project stars National Film Award recipient Sruthi Hariharan in the lead role of Kaveri, with special appearances by director Pawan Kumar and actor Diganth. The original score is composed by the internationally acclaimed Carnatic violin-vocal duo Ambi & Bindu Subramaniam.

What is the central story of the film?

The narrative centers on Kaveri (44), an independent woman selling tea in Bangalore who has spent her life rejecting societal expectations. She suddenly inherits guardianship of her late sister's four children, moving them into an ancestral bungalow. Facing a massive BBMP tax debt and an impending Metro acquisition, she collaborates with three former suitors to execute a legal loophole that secures her family's financial freedom.

What are the target budget and distribution windows?

The film has a highly optimized production budget of ₹3 Crores (INR). The primary distribution strategy focuses on a theatrical release in Karnataka, neighboring states, and major Indian metros, followed by a premium OTT launch, fully subtitled in English, Hindi, and Tamil.

Are there commercial integrations and brand partnerships available?

Yes, we offer targeted product placements natively integrated into the screenplay across narrative (L4) and functional (L2-L3) levels, targeting a brand integration revenue of ₹40L – ₹80L. Partners receive full category exclusivity for both the theatrical run and streaming windows.